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Billionaire Boys Club. In s Los Angeles, a group of prep school boys got together to make investments together, get rich quick, and live large. He gave several interviews a day in a hectic schedule. A few days later, a manager at a club in Boston was concerned that he looked ill, but Orbison played the show, to another standing ovation.
Exhausted, he returned to his home in Hendersonville to rest for several days before flying again to London to film two more videos for the Traveling Wilburys. On December 6, , he spent the day flying model aeroplanes with his sons and ate dinner at his mother's home in Hendersonville.
Later that day, he died of a heart attack , at the age of A memorial for Orbison was held in Nashville, and another was held in Los Angeles. Rock and roll in the s was defined by a driving backbeat , heavy guitars, and lyrical themes that glorified youthful rebellion. The structure and themes of his songs defied convention, and his much-praised voice and performance style were unlike any other in rock and roll.
Many of his contemporaries compared his music with that of classically trained musicians, although he never mentioned any classical music influences. Peter Lehman summarised it, writing, "He achieved what he did not by copying classical music but by creating a unique form of popular music that drew upon a wide variety of music popular during his youth.
Music critic Dave Marsh wrote that Orbison's compositions "define a world unto themselves more completely than any other body of work in pop music". In the s, Orbison refused to splice edits of songs together and insisted on recording them in single takes with all the instruments and singers together.
Otherwise, each seems to follow a separate structure. Using the standard bar form for verses and choruses, normal pop songs followed the verse-chorus-verse-chorus-bridge-verse-chorus structure.
I'm sure we had to study composition or something like that at school, and they'd say 'This is the way you do it,' and that's the way I would have done it, so being blessed again with not knowing what was wrong or what was right, I went on my own way. So the structure sometimes has the chorus at the end of the song, and sometimes there is no chorus, it just goes But that's always after the fact—as I'm writing, it all sounds natural and in sequence to me.
Elton John 's songwriting partner and main lyricist Bernie Taupin wrote that Orbison's songs always made "radical left turns", and k. The Nashville session guitarist Jerry Kennedy stated, "Roy went against the grain.
The first time you'd hear something, it wouldn't sound right. But after a few playbacks, it would start to grow on you. Critic Dave Marsh categorises Orbison's ballads into themes reflecting pain and loss, and dreaming.
A third category is his uptempo rockabilly songs such as "Go! In concert, Orbison placed the uptempo songs between the ballads to keep from being too consistently dark or grim.
In , Colin Escott wrote an introduction to Orbison's biography published in a CD box set: "Orbison was the master of compression. Working the singles era, he could relate a short story, or establish a mood in under three minutes. If you think that's easy—try it. His greatest recordings were quite simply perfect; not a word or note surplus to intention.
The loneliness in Orbison's songs that he became most famous for, he both explained and downplayed: "I don't think I've been any more lonely than anyone else Although if you grow up in West Texas, there are a lot of ways to be lonely. Robin Gibb of the Bee Gees stated, "He made emotion fashionable, that it was all right to talk about and sing about very emotional things.
For men to sing about very emotional things Before that no one would do it. Orbison admitted that he did not think his voice was put to appropriate use until "Only the Lonely" in , when it was able, in his words, to allow its "flowering". Bruce Springsteen and Billy Joel both commented on the otherworldly quality of Orbison's voice. Dwight Yoakam stated that Orbison's voice sounded like "the cry of an angel falling backward through an open window".
To me that was the voice of God. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood.
He sounded like he was singing from an Olympian mountaintop. He sang like a professional criminal His voice could jar a corpse, always leave you muttering to yourself something like, "Man, I don't believe it". Likewise, Tim Goodwin, who conducted the orchestra that backed Orbison in Bulgaria, had been told that Orbison's voice would be a singular experience to hear.
When Orbison started with "Crying" and hit the high notes, Goodwin stated: "The strings were playing and the band had built up and, sure enough, the hair on the back of my neck just all started standing up. It was an incredible physical sensation. His voice melted out of his mouth into the stratosphere and back. He never seemed like he was trying to sing, he just did it. His voice ranged from baritone to tenor , and music scholars have suggested that he had a three- or four-octave range.
Orbison's severe stage fright was particularly noticeable in the s and early s. During the first few songs in a concert, the vibrato in his voice was almost uncontrollable, but afterward, it became stronger and more dependable. Orbison noticed that he was unable to control the tremor in the late afternoon and evenings, and chose to record in the mornings when it was possible. Orbison often excused his motionless performances by saying that his songs did not allow instrumental sections so he could move or dance on stage, although songs like "Mean Woman Blues" did offer that.
I mean, you could put workers like Chubby Checker or Bobby Rydell in second-rate shows and they'd still shine through, but not me. I'd have to be prepared. People come to hear my music, my songs. That's what I have to give them. Lang compared Orbison to a tree, with passive but solid beauty. Being that he was so grounded and so strong and so gentle and quiet. He was just there. His parents worked in a defence plant; his father brought out a guitar in the evenings, and their friends and relatives who had just joined the military gathered to drink and sing heartily.
Orbison later reflected, "I guess that level of intensity made a big impression on me, because it's still there. That sense of 'do it for all it's worth and do it now and do it good. From Wikipedia, the free encyclopedia. American singer-songwriter. Rock pop country. Main article: Roy Orbison's Sun Recordings. The ending of "Running Scared" features Orbison's natural voice hitting high A natural.
You were going down. Roy was the coolest uncool loser you'd ever seen. With his Coke-bottle black glasses, his three-octave range, he seemed to take joy sticking his knife deep into the hot belly of your teenage insecurities.
What separates Orbison from so many other multi-octave-spanning power singers is that he can hit the biggest notes imaginable and still sound unspeakably sad at the same time. All his vocal gymnastics were just a means to a powerful end, not a mission unto themselves.
Roy Orbison didn't just sing beautifully—he sang brokenheartedly. Main article: Roy Orbison discography. December 5, Irish Recorded Music Association. Archived from the original enter "Roy Orbison" into the "Search by Artist" box, then select "Search" on July 21, Dutch Top 40 Retrieved August 21, Single Top Retrieved April 10, February 20, Official Charts Company. GfK Entertainment Charts. Retrieved May 28, Retrieved 26 March Retrieved 28 August Retrieved 21 February The Book of Golden Discs 2, illustrated ed.
Ultimate Classic Rock. Retrieved March 21, Archived from the original on Retrieved December 25, Good Guys. The Great Roy Orbison, Vol. Ultimate Rock Classics, Vol. Rock Hits of the 60's. This Is. A Year in Your Life: , Vol. The Love Album. Oh Pretty Woman [Collectables]. Monumental Hits [Collectables]. Big Hits from the Big "O". Taken [Original Soundtrack]. Golden Era of Rock 'n' Roll: Platinum Collection. Definitive Collection [Single Disc]. Greatest Hits [Video].
Forever Roy Orbison [3 Disc]. Dreamboats and Pettycoats. Peace And Love [Madacy]. Purely Roy Orbison. Summer Holiday: 40 Summer Classics from Yesteryear. The Monument Singles: A-Sides The Roots of U2. America's Greatest Hits, Vol. The Greatest Ever Love Songs [Bellevue]. Definitive Collection [2 Disc]. For Lovers Only: Cruisin' Classics Roy Orbison Sings Lonely and Blue.
Roy Orbison Greatest Hits [Monument]. Monument Records. Roy Orbison Golden Days. Sony BMG. Eagle Records. Maurice Jarre Only the Lonely."Oh, Pretty Woman" or "Pretty Woman" is a song recorded by Roy Orbison, written by Orbison and Bill Dees. It was released as a single in August on Monument Records and spent three weeks at number one on the Billboard Hot from September 26, , the second single by Orbison to top the US charts. It was also Orbison's third single to top the UK Singles Chart (for a total of three weeks).