Anonymous, thanks for the heads up. Disc One has been revised yet again! Should be perfect this time. Matt, i included the entire rehearsal session from the Still Fighting bootleg CD. Dirty Dope Dealer was definitely not on there. If you know of another rehearsal, please let me know. That's one of my favorite Infest demo songs as well, along with Snooze U Loose.
Those songs would have sounded killer on Slave. Thanks for this! They're Back!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Thanks for posting this! The sound quality is great!! I just wanted to point out that there are a couple skips on a few Slave tracks that you might not be aware of. I know one off hand is track 'plastic' from Slave record. Just FYI. I can't believe I slept on this band This is where the line between hardcore and speed metal starts to blur lol! Anyway, I am adding this RSS to my email and could look out for much more of your respective interesting content.
Make sure you update this again soon. EZ Flash IV. This Band is killer and it looks like you worked super hard on this. I hope they release an official physical Discography I can buy at some point. I can't seem to get disc 2 to download, any chance of a re-up on this? I know this was posted a long time ago. Such a great work shouldn't stay in the shade!!
Does anyone know where this "remastered" discography is available now? Disk One revised on Oct. Sorry for the delay. So here's what i've been working on for pretty much the past month. All surface noise and pops removed, and all levels adjusted so every track is the same volume.
I think this is going on year 10 that Deep Six Records has had the Infest discography on it's "coming soon" list, so i'm going to take a wild guess and say it's never going to happen.
With that in mind, i tried my best to make this collection as close to CD quality as possible. I think it came out great. This is pretty much everything the band has ever recorded, aside from one demo track Machismo , which i couldn't get a decent version of to work with, and a few samples before certain tracks. I've wanted to put this together for a long time, and it was a labor of love to be sure. I'm glad the fucking thing's finally done. If any band needs to be properly documented, this is it.
My first time hearing them was on Pat Duncan's radio show in , during the time the Slave LP was released. The songs were Mindless and Where's the Unity? Everything about it just clicked with me immediately. But Infest was a different kind of fast, and a different kind of heavy. It was just monstrous hardcore, like Youth of Today on steroids and speed. This was the band i'd been waiting to hear. I taped Pat's show every Thursday night and would catch an Infest song every now and then, which to me was like hitting the lottery.
It was almost a full year later that i finally got a dub of the entire Slave album from a friend in art school. Thanks Marty! I never thought a band would ever have that much of an impact on me again, until the day i heard Neanderthal OK, enough ranting.
Here it is. The Slave LP contained the 10 tracks from the band's previous self-released, self-titled 7" known as the Machismo 7" , plus 8 new tracks. There were 1, made of the original press, which came with a lyric sheet, poster, 2 stickers and 1 flyer. Produced by Infest. Mixed by Matt, John O. Awesome cover art by Seelenlos and graphics by Erich. Slave was bootlegged on LP in on Sand Im Getriebe Records out of Germany of course and also included the band's 2nd 7" , 11 unreleased rehearsal tracks, and the sleeve was a 20 page booklet full of political propaganda.
The tracks in this collection were taken from the re-release. Sound quality is fantastic, but unfortunately it's missing the sample at the opening of Sick-O. How did you hook up with a Swiss label? It actually went slow. We were planning to do a 14 song 7", but I ended up trading our demo to Erich and Thomas of Mega-Wimp fanzine in Switzerland.
They really liked us and offered to do a 7" for us. So we recorded 18 songs, 10 for our 7" and eight for them to press up. Later on, they offered to do a 12", so we put 10 of the songs on our 7" as a US pressing and all 18 on their 12" as a European press.
What are the pressings of both the 7" and 12"? The 7" is: black and clear. Our 12" on Off the Disk is: amber, pink, black. The colored vinyl came with posters. There might be a second press of the 12" of on multi-colored vinyl, but we are not sure yet. The 12" and 7" are both sold out. You can read the entire interview here. The Slave LP still stands as my favorite Infest release. As amazing as the 2nd 7" and the No Man's Slave LP are, there's just something missing that made Slave so great to me.
Everything from Matt's guitar sounds, to Joe's rabid vocals, to that thick bass sound that just cuts through everything. Add to that the raw production and perfect arrangement of songs from the start of Break the Chains to the end of Fetch the Pliers. It was a formula that comes along once in a lifetime, and then of course imitated endlessly, but never topped, for over 20 years now.
Infest 7" tracks Commonly known as the Mankind 7". It was bootlegged in on limited edition blue vinyl no label , and again in as a 3-sided 2x7" no label. The flip-side was screen-printed with a red Infest logo. It sounds like the "Mankind" 10" is a different mix than the original 7".
The tracks in this collection were taken from the 10". Excellent sound. Matt Domino plays guitar in 2 other bands on the comp. Neanderthal and Mouthfart who only have 1 known recorded track. I assume it's Neanderthal under a different moniker Give the track a listen. All originally on Slap A Ham, and all with a shitload of songs. Limited to copies. First copies came with a bonus 7". I'd say this comp was half great. The 2 Infest tracks on this comp were labeled as "untitled", but had titles later when they appeared as bonus tracks on the Mankind 10".
The music was recorded in and the vocals were recorded in For this amazing comeback album, R. Davies from Visual Discrimination replaces Chris Clift on drums, and Matt Domino lays down both the guitar and bass tracks. Easily one of the most anticipated hardcore albums of all time, and it's safe to say if knocked everyone on their ass.
Two pressings, 2, made. The first 1, LPs has custom, hand-made covers. Most were badly drawn cartoons with a marker over a white background by Sam McPheeters, band members and friends i'm guessing , and some were actually pretty artistic and creative.
There's a website that is trying to catalog all 1, variations of the LP. Check it out here. And if you have a copy, send in a picture. Fear of Smell was released on CD in Vermiform as 1 pressing of 1, One of my favorite compilations of the '90s, and of all time.
The Infest track here was ripped from the CD version. Issued with a one-sided 8. Ripped from CD version. First LPs of first press were on orange vinyl. Released on CD the same year. This is a kick ass song, but i have no idea when it was recorded.
I'm guessing it's an outtake from the No Man's Slave sessions? In the song, Joan says that she is "tired of the war " and tells how she would rather be wearing a white wedding dress one of the charges against her was that she dressed as a man. Joan's surrender to the fire, as its bride, may also be seen as a symbol of her religious fervor and commitment. I don't want to suggest in that song that what she really wanted to be was a housewife. What I mean to say is that as lonely and as solitudinous as she was she had to meet and be embraced by her destiny It was Burberry.
It had lots of various fixtures on it It always resided in my memory as some glamorous possibility that I never realized In the same interview, Cohen revealed that his "chop", his unique pattern of playing syncopated classical guitar, is especially evident on "Avalanche", and also asserted, "There are songs like 'Dress Rehearsal Rag' that I recorded once and I will never sing.
Judy Collins did a very beautiful version of it, better than mine. I would never do that song in concert; I can't get behind it. I used to play it on a Mexican twelve-string until I destroyed the instrument by jumping on it in a fit of impotent fury in The song had too many verses and it took about five years to sort out the right ones. In an interview with Alastair Pirrie of the New Musical Express in March - just two years after the album was released - Cohen disparaged the LP: "I suppose you could call it gimmicky if you were feeling uncharitable towards me.
I have certainly felt uncharitable towards me from time to time over that record, and regretted many things. It was over-produced and over elaborated The front of the album sleeve is a sparsely detailed black-and-white photo of Cohen, smiling, with several days' beard growth. The album reached no. Vendine uno uguale. Fai shopping in tutta sicurezza. Se non ricevi l'oggetto che hai ordinato sarai rimborsato. Ulteriori informazioni - Garanzia cliente eBay - si apre in una nuova finestra o scheda.
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Per ulteriori informazioni, vedi i termini e le condizioni del Programma di spedizione internazionale - si apre in una nuova finestra o scheda. Giraron por Inglaterra pero no obtuvieron la gran fama. Un trabajo igualmente bueno, pero que cuenta con un sonido horrible. Para mi siempre fue como una especie de Bon Scott de la etapa final del Glam Rock, je je. Voz aguardentosa y guitarras potentes, te lo compro el invento, voy a darle cera!
Genial, Rob. Dale cera que el disco no tiene desperdicio. Gracias a ti :. Con esta banda tuve un problema. Sleazy potente sin duda! Nada, nada. No hay problema, ja ja.The album reached no. on the US Billboard , but was his most commercially successful album in many other parts of the world, reaching no. 4 in the UK and no. 8 in Australia. Writing in , Cohen biographer Anthony Reynolds noted, "In some quarters it was the album that seemed to seal Cohen's reputation as being something of a downer, to say the least.".