A little too derivitave and forced. But still good. The album then picks up from tracks 2 thru the end and contains some of the most beautiful ballads put on a prog rock album.
It's georgeous and sad all at the same time and has shades of melancholy like the incredible must-have Trader Horne album from And "Patricia Anglaia" with it's wordless vocals female it sounds like would belong perfectly in some Sergio Leone "flashback scene" in one of those classic Spaghetti Westerns. After the original 10 tracks, the cd has 9 bonus tracks which some have made their way on previous albums which are all gems too.
Kayak - Mountain Too Rough Kayak - Woe and Alas Kayak - Mouldy Wood Kayak - Lovely Luna Kayak - Forever is a Lonely Thought Kayak - Still Try to Write a Book Kayak - Give It a Name A good song though. The CD release almost double the original length of the album and allows to discover several tracks from their first two albums. A good idea. Indeed this is all surface except when it plunges, and so fast on the abysmal title cut that I kept thinking my iTunes had naughtily downloaded Alvin and the chipmunks and that I should start shutting it down at night for punishment.
Some 20 second passages make me feel I have unfairly judged these guys, but then the lyrical and production cliches, slap me around and I huddle in a corner waiting for a reprieve.
It's hard to find people to speak badly of KAYAK these days, presumably because those who heard them in their early days are still dumbstruck. Luckily I came to them late in the game and am careful never to look directly at them and, like the title track's protagonist, face "occupational mortality".
It's been a while since I have given an album this kind of a review. I've had this album for several years and listened to it a few times and shelved it. You know how that goes when you have a bunch of prog and are in a bunch of different moods. This past weeks though, I've returned ba Their second record often called "the second" shows more Pink Floyd influences and a more distinctive "Kayak" sound.
This "Royal bed Bouncer" may be Kayak's first effort which is only typical Kayak with no obvious links any I had just got into the Dutch band "Alquin" who had to date released "The Mountain Queen" and "Marks", both great progressive albums don't bother with their later releases though!
I gave "Royal Bed Bouncer" a try and had still do very mixed feelings You must be a forum member to post a review, please register here if you are not.
Copyright Prog Archives, All rights reserved. Please consider supporting us by disabling your ad blocker. This album indicated their consistency in the direction of Kayak's music. Composition wise, this album has demonstrated improvement from their previous 2 albums "See See The Sun" and "2nd". This is an example of melodic prog band with its own identity that has rarely been emulated by others in the later days. However, I have seen their significant influence in the writing of neo-progressive music in 80s, 90s and In , after a period of over two years preparing and recording, the new rock opera was finally released.
The double album was financed partly by a crowdfunding campaign. It had become apparent that nobody from the most recent line up would return - except for Ton himself, of course. This meant the most radical line up transformation in KAYAK's long history, quite a remarkable feat after so many years. Just when everyone expected the boat to sink, it miraculously resurfaced and sailed on! Acquire, please legitimate discs, which no doubt will adorn your collection!Oct 15, · KAYAK's second album in was a good continuation of KAYAK's melodic/symphonic prog style, but it had a bigger focus on long compositions which was profitable for the music. "Royal Bed Bouncer" () continued this course, whilst "The Last Encore" () has a distinctive atmosphere with lots of great progressive songs that were perhaps the.